Songs
"Traveling Boy" was the third single of the album and the opening track. Written by Paul Williams and Roger Nichols, the song describes the story of a young man heading for the road, leaving a lover behind. The piano opening riff was made by Larry Knechtel, with J.J. Cale performing the guitar solo. Garfunkel took three takes on the vocal, with the first two failing because he couldn't keep his voice loud enough during the first middle eight. Sally Stevens performs the soprano note at the start of the guitar solo.
"Down in the Willow Garden," the second track, was a country classic popularised by singer-songwriter Charlie Monroe, about a young man who kills his lover in the town's willow garden, and the events that follow, from his attempts to hide the body to his father's hypocritical advice and, finally, his own demise. Paul Simon sang harmony on the final verse and chorus with Garfunkel, along with Jerry Garcia playing lead guitar (overdubbed later by Roy Halee in San Francisco). Garfunkel went on to say it was one of his favorite country songs and loved the ability to work with Simon once again.
"I Shall Sing", the third track of the album, was the second single of the album. The Van Morrison reggae based song (which would later be a hit for Boney M) was changed from Reggae to a Latin beat by Jim Gordon, with Jules Broussard performing the sax solo, based on an Antonio Carlos Jobim song that he had heard early that year.
"Old Man" was the most controversial track of the album, because of Garfunkel interpretation of the song. Garfunkel himself admitted that he tended, in those days, to listen to the melody before the words, and so was quite happy to embed a strong string arrangement and vocal changes. Randy Newman, the song's composer, however, went on to say that he actually loved Garfunkel's version, despite bad press from Rolling Stone Magazine. Strings were supplied by Peter Matz, Stuart Canin, Ernie Freeman, and Jimmie Haskell, with Garfunkel having arranged the vocals, strings, and instrumentation himself. The highest note of the song, an F5, is also the highest note on the album, on the line "The Birds Have Flown Away."
"Feuilles-Oh/Do Space Men Pass Dead Souls On Their Way To The Moon?", the fifth track of the album, was a clever combination of the traditional Haitian folk song with a middle section based on the melody of J.S. Bach's "Oratorio de Navidad Choral N°33" and lyrics by Garfunkel's then fiancée, Linda Marie Grossman. The couple were married at her Nashville home a month after the album's release (October 1, 1973) but divorced less than two years later (August 1975), with Garfunkel later saying that not only did he not love her, but he did not like her much during their short marriage.
"All I Know", the sixth track of the album, was the first single of the album. The Jimmy Webb composition became Garfunkel's highest US Charting single.
"Woyaya" is a cover of a song by the Afro-pop band Osibisa that was released two years prior.
Read more about this topic: Angel Clare
Famous quotes containing the word songs:
“The militancy of men, through all the centuries, has drenched the world with blood, and for these deeds of horror and destruction men have been rewarded with monuments, with great songs and epics. The militancy of women has harmed no human life save the lives of those who fought the battle of righteousness. Time alone will reveal what reward will be allotted to women.”
—Emmeline Pankhurst (18581928)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyangumumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everythingthe last resort of someone who doesnt really want to change the world.... Dylans songs accept the world as it is.”
—Ewan MacColl (19151989)