The Andy Warhol Museum of Modern Art (Slovak: Múzeum Andyho Warhola Medzilaborce or Múzeum Moderného Umenia Andyho Warhola) in Medzilaborce, Slovakia was established in 1991 by the American family of the artist Andy Warhol and the Slovak Ministry of Culture. Until 1996 AWMMA (the English-language acronym of the museum) was called The Warhol Family Museum of Modern Art.
The museum's Andy Warhol Permanent Exhibition consists of 160 Warhol works of art, most drawings and silkscreens, as well as Warhol memorabilia. Also displayed are works by Andy's brother Paul Warhol and Paul's son, James Warhola. The museum features prominently in the documentary Absolut Warhola, directed by Stanislaw Mucha.
Famous quotes containing the words modern art, andy warhol, andy, warhol, museum, modern and/or art:
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
—Harold Rosenberg (1906–1978)
“I used to think that everything was just being funny but now I don’t know. I mean, how can you tell?”
—Andy Warhol (1928–1987)
“I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead—the guy could have been working for Andy Warhol!”
—J.G. (James Graham)
“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest.”
—Andy Warhol (1928–1987)
“No one to slap his head.”
—Hawaiian saying no. 190, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. Consequently, the modern poor are not pitied ... but written off as trash. The twentieth-century consumer economy has produced the first culture for which a beggar is a reminder of nothing.”
—John Berger (b. 1926)
“We live under a prince who is an enemy to fraud, a prince whose eyes penetrate into the heart, and whom all the art of impostors can’t deceive.”
—Molière [Jean Baptiste Poquelin] (1622–1673)