Performances
| Level | Year | Event | IN | SP | PU | MS | RL | MRL |
|---|---|---|---|---|---|---|---|---|
| BWCH | 1997 | Osrblie, Slovakia | 77 | |||||
| OLY | 1998 | Nagano, Japan | 45 | 18 | ||||
| BWCH | 1999 | Kontiolahti, Finland Oslo, Norway |
33 | 65 | 11 | |||
| BWCH | 2000 | Oslo, Norway Lahti, Finland |
30 | 44 | 49 | 8 | ||
| EBCH | 2001 | Maurienne, France | DNF | 6 | 4 | 4 | ||
| BWCH | 2001 | Pokljuka, Slovenia | 61 | 23 | 22 | |||
| OLY | 2002 | Salt Lake City, USA | 27 | 38 | DNS | |||
| EBCH | 2002 | Kontiolahti, Finland | 1 | 38 | ||||
| EBCH | 2003 | Forni Avoltri, Italy | 12 | 1 | 5 | |||
| BWCH | 2003 | Khanty-Mansiysk, Russia | 54 | 23 | 15 | 10 | ||
| BWCH | 2004 | Oberhof, Germany | 77 | 58 | DNS | |||
| EBCH | 2004 | Minsk, Belarus | 22 | 20 | 7 | DSQ | ||
| EBCH | 2005 | Novosibirsk, Russia | 2 | 1 | 2 | |||
| BWCH | 2005 | Hochfilzen, Austria Khanty-Mansiysk, Russia |
40 | 11 | 8 | 6 | 10 | 7 |
| OLY | 2006 | Torino, Italy | 39 | 27 | 31 | 7 | ||
| EBCH | 2006 | Langdorf, Germany | DNF | 52 | DNS | 2 | ||
| BWCH | 2006 | Pokljuka, Slovenia | 9 | |||||
| BWCH | 2007 | Rasen-Antholz, Italy | 3 | 26 | 25 | 8 | 10 | |
| BWCH | 2008 | Östersund, Sweden | 9 | 29 | 36 | 10 | 10 | |
| EBCH | 2008 | Nové Město na Moravě, Czech Republic | 10 | 25 | DNS | 6 | ||
| BWCH | 2009 | Pyeongchang, South Korea | 8 | 12 | 7 | 23 | 5 | 11 |
| OLY | 2010 | Vancouver, Canada | 27 | 5 | 26 | 26 | 8 | |
| BWCH | 2011 | Khanty-Mansiysk, Russia | 14 | 10 | 7 | 13 | 3 | |
| BWCH | 2012 | Ruhpolding, Germany | 17 | 42 | 22 | 19 | 8 | 14 |
Read more about this topic: Andriy Deryzemlya
Famous quotes containing the word performances:
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)