Andrew Young (poet) - Works

Works

  • Songs of Night (1910)
  • Boaz and Ruth (1920)
  • The Death of Eli (1921)
  • Thirty One Poems (1922)
  • The Cuckoo Clock (1922)
  • The Adversary (1923) - verse plays
  • The Bird Cage (1926)
  • The New Shepherd (1931)
  • Winter Harvest (1933)
  • The White Blackbird (1935)
  • Collected Poems (1936, Cape)
  • Nicodemus (1937) - verse play
  • Speak to the Earth (1939)
  • A Prospect of Flowers (1944) - prose
  • The Green Man (1947)
  • A Retrospect of Flowers (1950) - prose
  • Collected Poems (1950, Cape)
  • Into Hades (1952)
  • A Prospect of Britain (1956) - prose
  • Out of the World and Back (1958)
  • Quiet as Moss: 36 Poems (1959, 1967) - selection by Leonard Clark
  • Collected Poems (1960, Hart-Davis)
  • The Poet and the Landscape (1962) - prose
  • Burning as Light: 37 poems (1967) - selection by Leonard Clark
  • The New Poly-Olbion (1967) - prose poems
Posthumous publications
  • The Poetic Jesus (SPCK, London 1972) - prose
  • Complete Poems (Secker & Warburg, London 1974)
  • Andrew Young : remembrance and homage (Tidal Press, Maine, 1978) - small selection
  • Parables (Keepsake Press, Richmond 1985) - mini-sermons
  • The Thirteenth Key (Protean Publishing Company, Birmingham 1985) - fiction
  • Poetical Works (Secker & Warburg, London 1985)
  • Crystal and Flint (Snake River Press, Brighton 1991) - selection
  • Selected Poems (Carcanet, Manchester 1998)

Read more about this topic:  Andrew Young (poet)

Famous quotes containing the word works:

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)