Andrew Neiderman - Novels

Novels

  • Illusion (1967)
  • Sisters (1972)
  • Weekend (1980) (with Tania Grossinger)
  • Pin (1981) (adapted as a movie in 1988)
  • Brainchild (1981)
  • Someone's Watching (1983)
  • Tender, Loving Care (1984) (adapted as an interactive movie in 1997)
  • Imp (1985)
  • Child's Play (1985)
  • Love Child (1986)
  • Reflection (1986)
  • Teacher's Pet (1986)
  • Night Howl (1986)
  • Sight Unseen (1987)
  • Playmates (1987)
  • The Maddening (1987) (adapted as a movie in 1995)
  • Surrogate Child (1988)
  • Perfect Little Angels (1989)
  • The Devil's Advocate (1990) (filmed in 1997 by director Taylor Hackford)
  • Bloodchild (1990)
  • The Immortals (1991)
  • The Need (1992)
  • Sister, Sister (1992)
  • The Solomon Organization (1993)
  • After Life (1993)
  • Angel of Mercy (1994)
  • Duplicates (1994)
  • The Dark (1997)
  • In Double Jeopardy (1998)
  • Neighborhood Watch (1999)
  • Curse (2000)
  • Amnesia (2001)
  • Dead Time (2002)
  • Under Abduction (2002)
  • The Baby Squad (2003)
  • Deficiency (2004)
  • The Hunted (2005)
  • Finding Satan (2006)
  • Unholy Birth (2007)
  • Life Sentence (2007)
  • Deadly Verdict (2008)
  • Guardian Angel (2010)
  • Garden of the Dead (2011)

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Famous quotes containing the word novels:

    “I have just opened Bacon’s “Advancement of Learning” for the first time, which I read with great delight. It is more like what Scott’s novels were than anything.”
    —Henry David Thoreau (1817–1862)

    “But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.”
    —Anthony Trollope (1815–1882)

    “The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
    —Milan Kundera (b. 1929)