Milner’s concern with Williams’s theoretical legacy inspired Cultural Materialism, published in 1993, and Re-Imagining Cultural Studies, published in 2002. Both traced the continuing influence on literary and cultural studies of the kinds of cultural materialism developed by Williams and his successors. They also stressed the differences between Williams and Richard Hoggart, arguing that the label 'culturalism' could not properly be applied to both. Milner argued that Williams had stood in an essentially analogous relation to the British 'culturalist' tradition as Bourdieu and Michel Foucault to French structuralism and Jürgen Habermas to German critical theory. Cultural materialism was therefore best understood, not as culturalist, but rather as positively 'post-culturalist'. In 2010 Milner published, under the title Tenses of Imagination, an edited collection of Williams’s writings on utopia, dystopia and science fiction.
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