Marvell's Poetic Style
T. S. Eliot wrote of Marvell's style that 'It is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is, what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace'. He also identified Marvell and the metaphysical school with the 'dissociation of sensibility' that occurred in 17th-century English literature; Eliot described this trend as 'something which... happened to the mind of England... it is the difference between the intellectual poet and the reflective poet'. Poets increasingly developed a self-conscious relationship to tradition, which took the form of a new emphasis on craftsmanship of expression and an idiosyncratic freedom in allusions to Classical and Biblical sources.
Marvell's most famous lyric, "To His Coy Mistress", combines an old poetic conceit (the persuasion of the speaker's lover by means of a carpe diem philosophy) with Marvell's typically vibrant imagery and easy command of rhyming couplets. Other works incorporate topical satire and religious themes.
Read more about this topic: Andrew Marvell
Famous quotes containing the words marvell, poetic and/or style:
“Here at the fountain’s sliding foot,
Or at some fruit-tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide:
There, like a bird, it sits and sings,
Then whets and combs its silver wings,
And, till prepared for longer flights,
Waves in its plumes the various light.”
—Andrew Marvell (1621–1678)
“But before the extremity of the Cape had completely sunk, it appeared like a filmy sliver of land lying flat on the ocean, and later still a mere reflection of a sand-bar on the haze above. Its name suggests a homely truth, but it would be more poetic if it described the impression which it makes on the beholder.”
—Henry David Thoreau (1817–1862)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)