Writing
In journalism, stories, and poetry written during the first postrevolutionary years (1918–1922), Platonov interwove ideas about human mastery over nature with skepticism about triumphant human consciousness and will, and a sentimental and even erotic love of physical things with a fear and attendant abhorrence of matter. Platonov viewed the world as embodying at the same time the opposing principles of spirit and matter, reason and emotion, nature and machine. He wrote of factories, machines, and technology as both enticing and dreadful. His aim was to turn industry over to machines, in order to "transfer man from the realm of material production to a higher sphere of life." Thus, in Platonov's vision of the coming "golden age" machines are both enemy and savior. Modern technologies, Platonov asserted paradoxically (though echoing a paradox characteristic of Marxism), would enable humanity to be "freed from the oppression of matter."
Platonov's writing, it has also been argued, has strong ties to the works of earlier Russian authors like Fyodor Dostoevsky. He also uses much Christian symbolism, including a prominent and discernible influence from a wide range of contemporary and ancient philosophers, including the Russian philosopher Nikolai Fedorov.
His 'Foundation Pit' uses a combination of peasant language with ideological and political terms to create a sense of meaninglessness, aided by the abrupt and sometimes fantastic events of the plot. Joseph Brodsky considers the work deeply suspicious of the meaning of language, especially political language. This exploration of meaninglessness is a hallmark of existentialism and absurdism.
Read more about this topic: Andrei Platonov
Famous quotes containing the word writing:
“England has the most sordid literary scene I’ve ever seen. They all meet in the same pub. This guy’s writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They’re all scratching each other’s backs.”
—William Burroughs (b. 1914)
“... in writing you cannot possibly be interesting if what you say is not true, if it is what I call “a true lie,” i.e., a truth which gives the wrong impression. For no matter how subtly you lie in writing, people know it and don’t believe you, and the whole secret of being interesting is to be believed.”
—Brenda Ueland (1891–1985)
“One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.”
—Annie Dillard (b. 1945)