Andrea Solari - Works

Works

  • Portrait of a Young Man, c. 1490, oil on panel, 31x28 cm, Madrid, Thyssen-Bornemisza Museum
  • Madonna with Child, c. 1495, oil on panel, 30,5x27 cm, Milan, Poldi-Pezzoli Museum
  • Man with a Pink Carnation, c. 1495, oil on panel, 50x39 cm, National Gallery of London
  • Christ carrying the cross, 1495–1500, oil on panel, 34x26 cm, Brescia, Pinacoteca Tosio Martinengo
  • Portrait of a Man, c. 1500, oil on panel, 42x32 cm, Milan, Brera Gallery
  • Christ crowned with thorns, 1500–1505, oil on panel, 39x31 cm, Bergamo, Accademia Carrara
  • Head of a Bearded Man, 1500–1510, black, red, and yellow chalk on brownish paper, Metropolitan Museum
  • Portrait of Giovanni Cristoforo Longoni, 1505, oil on panel, 79x60,5 cm, National Gallery of London
  • Ecce Homo, 1505–1506, oil on panel, 43x33 cm, Milan, Poldi-Pezzoli Museum
  • Ecce Homo, 1506-1507, oil on panel, 43x34cm, Belgrade, National Museum of Serbia
  • Lamentation over the Dead Christ, c. 1505-1507, oil on panel, 168x152 cm, Washington, National Gallery of Art
  • Ecce Homo, 1505–1507, oil on panel, 57x44 cm, Oxford, Ashmolean Museum
  • Portrait of Charles d'Ambroise, c. 1507, oil on panel, 75x52 cm, Paris, Louvre
  • The Head of Saint John the Baptist on a Charger, 1507, oil on panel, 46x43 cm, Paris, Louvre
  • Virgin of the Green Cushion, 1507, oil on panel, 59x48 cm, Paris, Louvre
  • Christ's flagellation, c. 1509, oil on panel, 63x45 cm, Philadelphia Museum of Art
  • Madonna with Child, c. 1509, oil on panel, 27,2x27,9 cm, Milan, Poldi-Pezzoli Museum
  • Woman playing the lute, c. 1510, oil on panel, 65x52 cm, Rome, Palazzo Barberini, Galleria Nazionale d'Arte Antica
  • St Jerome in the desert, 1510–1515, oil on panel, 69x543 cm, County Durham, Bowes Museum
  • St John the Baptist; St Anthony, 1512, oil on panel, 16x13 cm each, Milan, Museo Poldi Pezzoli
  • Rest during the Flight to Egypt, 1515, oil on panel, 76x55 cm, Milan, Poldi-Pezzoli Museum
  • Salome with the Head of St John the Baptist, 1520–1524, oil on panel, 58,5x57,5 cm, Vienna, Kunsthistorisches Museum
  • Blessing Christ, c. 1524, oil on panel, 203x130 cm, New York, Metropolitan Museum

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    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
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    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
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