Andrea Solari - Gallery

Gallery

  • Charles d'Amboise, c. 1507 - oil on canvas; H. 75 cm, W. 52 cm, Louvre

  • Virgin of the Green Cushion, 1507-10 - tempera & oil on wood; H. 59.5 cm, W. 47.5 cm, Louvre

  • The Head of Saint John the Baptist on a Charger, 1507 - oil, Louvre

  • Head of a Bearded Man, 1500-1510 - black, red, and yellow chalk on brownish paper; H. 374 mm, W. 273 mm, Metropolitan Museum

  • Rest during the Flight to Egypt, 1515 - oil on panel; H. 77 cm, W. 55 cm, Poldi-Pezzoli Museum

  • Woman playing the lute, c. 1510 - oil on canvas; H. 62,6 cm, W.49,5 cm, National Gallery of Ancient Art

  • Man with a Pink Carnation, c. 1495 - Oil & egg tempera on poplar; H. 50cm, W. 39 cm, National Gallery of London

  • Portrait of a Man, c. 1500 - oil on panel; H.42cm, W. 32 cm, Brera Gallery

  • Portrait of a Young Man, after 1490 - Oil on panel; H. 31 cm, W. 28 cm, Thyssen-Bornemisza Museum

  • Portrait of a Man, c. 1497 - Oil on wood; H. 48cm, W. 38 cm, Museum of Fine Arts, Boston

  • Portrait of Giovanni Cristoforo Longoni, 1505 - oil on panel; H. 79 cm, W. 60,5 cm, National Gallery of London

  • Ecce Homo, 1505-1506, oil on panel, 43x33 cm, Milan, Poldi-Pezzoli Museum

  • Ecce Homo, 1505-1507 - oil on panel, H. 57 cm, W. 44 cm, Oxford, Ashmolean Museum

  • Lamentation over the Dead Christ, c. 1505-1507 - oil on panel; H. 168 cm, W. 152 cm, National Gallery of Art

  • Salome with the Head of St John the Baptist, 1520-1524 - oil on panel; H. 58,5cm, W. 57,5 cm, Kunsthistorisches Museum

  • Salome receives the Head of St John the Baptist, 1506-7 - oil on panel; H. 57 cm, W. 47 cm, Metropolitan Museum of Art

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Famous quotes containing the word gallery:

    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
    Henry David Thoreau (1817–1862)

    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
    Thomas Henry Huxley (1825–95)

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)