Beginnings of His Art
Andokides began working at a time when the black-figure style predominated. He was undoubtedly a student of Exekias, one of the masters of the art. The technical limits of this black-figure technique, which required the incision of detail onto a silhouette of a figure, were reached around the late 6th century BCE. The Andokides painter undertook brief tests, brushing white paint directly on a glazed black base. The white wash was fragile, as seen on an amphora preserved in the Louvre (inv.F203) which is ascribed to him. He next had the idea to reverse the process: he reserved the background in black glaze instead of the foreground figures. In this way, the red color of the clay became the ground on to which further details of the characters were painted in black with a fine brush. This method allowed greater precision and more detail than before.
The first evidence of the new technique—that would gradually spread to dominate the art—dates to 530 BCE. During a transitional period, the Andokides painter produced amphoras which present the black figure style on one side and the red figure style on the other, sometimes with the same scene. These vases may have been tests to present the new technique to his customers. These vases are called bilingual. Thereafter, he produced only vases in the red figure style.
He was not the only one to use these innovations. Others, like Oltos or Epiktetos, produced bilingual vases, but the majority of researchers agree that the works of the Andokides painter were produced a few years before the others, which means he was likely the principal inventor of the technique.
Read more about this topic: Andokides Painter
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