Introduction and Development
Isaac Taylor sought to show that the system of writing, particularly the Baybayin script, was introduced into the Philippines from the Coast of Bengal sometime before the 8th century. In attempting to show such relationship, Taylor presented graphic representations of Kistna and Assam letters like g, k, ng, t, m, h, and u, which resemble the same letters in Baybayin.
Fletcher Gardner argued that the Philippine scripts have "very great similarity" with the Asoka alphabets. T. H. Pardo de Tavera supported Gardner's view, and he also wrote that "the ancient Filipino alphabets have resemblance with the characters of the Asokan inscriptions." David Diringer, accepting the view that the alphabets of the Indonesian archipelago have their origins from India, opined that these, particularly that which is used in the Ci-Aruton inscriptions of the West Javan rajah, King Purnavarman, constituted the earliest types of Philippine syllabic writing. These according to Diringer were brought to the Islands through the Buginese characters in Celebes. The script would fall within the middle of the 5th century.
The Dravidian influence on the ancient Filipino scripts was obviously of Tamil origin," wrote V. A. Makarenko, in proposing another view on the origin of Philippine scripts. Based primarily on the work of H. Otley Beyer, this theory argues that these scripts reached the Philippines via the last of the "six waves of migration that passed through the Philippine archipelago from the Asian continent about 200 BC," constituting the Malayans and Dravidians, "primarily the Tamil from Malaya and the adjacent territories and from Indonesia and South India as well."
Read more about this topic: Ancient Philippine Scripts
Famous quotes containing the words introduction and/or development:
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427347 B.C.)
“I can see ... only one safe rule for the historian: that he should recognize in the development of human destinies the play of the contingent and the unforeseen.”
—H.A.L. (Herbert Albert Laurens)