Art
In spite of their limited sources and the political climate of their era, art during the Anatolian beyliks flourished, probably building the basis for Ottoman art. Although the artistic style of the Anatolian beyliks can be considered as representatives of a transition period between Seljuks and Ottomans, new trends were also acquired. Especially wandering traditional crafts artists and architects helped spread these new trends and localized styles to several beyliks across Anatolia, which resulted in innovative and original works particularly in architectur]. Wood and stone carving, clay tiles and other similar decorative arts of the Seljuqs were still used, however with the influence of the pursuit for new spaces and its reflections in other arts as well.
Some representative examples of the Anatolian beyliks' architecture are İlyas Bey Mosque at Balat (Milet) (1404), İsabey Mosque at Selçuk (1375), Ulucami Mosque at Birgi (1312) built by the Aydın beylik. The above mosques, although being successors of Seljuq architecture, differ greatly in the increase of decorations in the interior and exterior spaces and the different placement of the courtyards and minarets. Karaman beylik also left noteworthy architectural works, such as Ulucami Mosque in Ermenek (1302), Hatuniye Madrassa in Karaman (1382), Akmedrese Madrassa in Niğde (1409), all of which respect a new style that considers and incorporates the exterior surroundings also. One of the first examples of the Anatolian beylik architecture hinting at the forming of the Ottoman architecture that aims at uniting the interior space beneath one big dome and forming a monumental architectural structure is Ulucami Mosque in Manisa (1374) built by the Saruhan beylik. Also worth noting is the increase in constructions of madrassas that points at the beyliks' attaching greater importance to sciences.
Read more about this topic: Anatolian Beyliks
Famous quotes containing the word art:
“We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.”
—Salvador Dali (1904–1989)
“When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell’s major generals than it will be if ever it gets into mine.”
—George Bernard Shaw (1856–1950)
“Architecture might be more sportive and varied if every man built his own house, but it would not be the art and science that we have made it; and while every woman prepares food for her own family, cooking can never rise beyond the level of the amateur’s work.”
—Charlotte Perkins Gilman (1860–1935)