Development and Production
"A lot of the high-concept shows have kids in an extraordinary situation where the parent or adult takes a backseat, and sometimes the adult isn't as smart as the kid, or it's all about the kids putting one over on the adults. But we have a new show called "Good Luck Charlie" that has a very different kind of concept. It is very grounded, very relatable, and it's not about the parents being dumber than the kids. We try and mine as much comedy out of the parents as possible, but it doesn't mean the kids can't learn from the parents and get guidance from the parents".
Adam Bonnett, senior Vice President of original programming for Disney.The Good Luck Charlie pilot, entitled "Study Date", was shot in February 2009, at Sunset Bronson Studios (where Hannah Montana was taped) and the series was picked up later that year. The show's production occurs at Sunset Bronson Studios in Los Angeles even though the show is set in Denver, Colorado. Starting with the 2nd season, the series is taped at Los Angeles Center Studios, where Shake It Up is also taped. The show operates on a weekly schedule. Scripts for a new episode are issued on Monday before a read-through, Wednesdays are rehearsal and network run-through day, final scripts are issued on Thursday, and the episode is shot in front of a live studio audience on Friday night. According to Mendler, occasionally "episodes are too big to handle with a live audience taped without an audience, but mostly they're live".
Good Luck Charlie was created by Phil Baker and Drew Vaupen, who have been writing together since 1993 on shows ranging from Suddenly Susan to Sonny with a Chance. The pair aspired to create a program that would appeal to entire families rather than simply kids. Inspired by the success of reruns of shows such as Full House and George Lopez with young audiences, Vaupen and Baker turned to family sitcoms. "We wanted to do a show about a family, to bring back a family sitcom and make it about a real family, not wizards, nobody's a pop star, nobody has a TV show", said Vaupen, referring to Wizards of Waverly Place, Hannah Montana, and Sonny with a Chance.
Veteran writer-producer Dan Staley (Cheers) later joined the show as executive producer. Disney’s Gary Marsh said “because most network television abandoned the traditional sitcom, Disney has been able to snatch up a lot of experienced talent for behind the camera, including executive producer Dan Staley…”
Good Luck Charlie's central family, the Duncans from Denver, Colorado, was carefully crafted for broad appeal. While the series is still told primarily through the view point of the Duncan children, the children's parents, Amy and Bob, are less on the periphery and writers attempt to add scenes that adult viewers can relate to. For example, in one scene in the pilot episode Amy confesses to Bob that she is overwhelmed with becoming a working new mother again. "She's not sure she can pull this off", says Bonnet. "And just playing that scene the way we did, a very real scene between husband and wife, kind of makes this show different". The writers also try to include jokes for adult viewers while remaining chaste enough for their young target audience. Unlike most previous Disney Channel series such as Sonny with a Chance, Hannah Montana, or Cory in the House, both parents are seen in the Duncan family. "It felt like the right time to have a show with two parents, to debunk the myth that Disney never has the mom in the picture", says Adam Bonnett, Senior Vice President of original programming for Disney Channel. "Because it is a myth".
Because a series about the rich and famous might alienate viewers in a troubled economy, the Duncans were made middle-class. According to Gary Marsh, Entertainment President of Disney Channel Worldwide, "We want to do is acknowledge the reality of the times in which we live, where two parents work, where kids are expected to help out around the house in meaningful ways. Real-life issues happen. Everyone isn't living The Life of Riley all the time".
Read more about this topic: Amy Duncan
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