Career
In her first major television role, Brenneman played mob-connected uniformed officer Janice Licalsi on the police drama NYPD Blue. Her story arc, which included a romantic relationship with David Caruso's character, ran through the show's first season (1993–1994) and the first few episodes of the second season. She was nominated for an Emmy Award for Best Supporting Actress in a Drama Series in 1994 and for Outstanding Guest Actress the following year.
After leaving NYPD Blue, Brenneman appeared in a number of films, including Casper (1995), Heat (1995), Fear (1996), Daylight (1996) and Nevada (1997). She had a brief recurring role on Frasier in its 1998–1999 season.
In 1999, Brenneman became creator and executive producer of the television series Judging Amy, in which she played the title character. Brenneman portrayed a divorced single mother working as a Family Court Judge in Hartford, Connecticut. The show's concept was based on the real-life experiences of her mother, Frederica Brenneman, as a superior court judge in the state of Connecticut. Judging Amy ran on CBS for six seasons and 138 episodes from September 19, 1999 to May 3, 2005 to good ratings. Frederica Brenneman was one of Harvard Law School's first female graduates and became a juvenile court judge in Connecticut when Amy was 3 years old. Amy has said, "I play my mother's job, not my mother."
In 2002, she was awarded the Women in Film Lucy Award in recognition of her excellence and innovation in her creative works that have enhanced the perception of women through the medium of television.
In March 2007, Brenneman was cast to co-star in the Grey's Anatomy spinoff, Private Practice.
In 2007, Brenneman played "Sylvia Avila" in The Jane Austen Book Club. In 2008, Brenneman co-starred in 88 Minutes alongside Al Pacino.
Read more about this topic: Amy Brenneman
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)