Amy Brenneman - Career

Career

In her first major television role, Brenneman played mob-connected uniformed officer Janice Licalsi on the police drama NYPD Blue. Her story arc, which included a romantic relationship with David Caruso's character, ran through the show's first season (1993–1994) and the first few episodes of the second season. She was nominated for an Emmy Award for Best Supporting Actress in a Drama Series in 1994 and for Outstanding Guest Actress the following year.

After leaving NYPD Blue, Brenneman appeared in a number of films, including Casper (1995), Heat (1995), Fear (1996), Daylight (1996) and Nevada (1997). She had a brief recurring role on Frasier in its 1998–1999 season.

In 1999, Brenneman became creator and executive producer of the television series Judging Amy, in which she played the title character. Brenneman portrayed a divorced single mother working as a Family Court Judge in Hartford, Connecticut. The show's concept was based on the real-life experiences of her mother, Frederica Brenneman, as a superior court judge in the state of Connecticut. Judging Amy ran on CBS for six seasons and 138 episodes from September 19, 1999 to May 3, 2005 to good ratings. Frederica Brenneman was one of Harvard Law School's first female graduates and became a juvenile court judge in Connecticut when Amy was 3 years old. Amy has said, "I play my mother's job, not my mother."

In 2002, she was awarded the Women in Film Lucy Award in recognition of her excellence and innovation in her creative works that have enhanced the perception of women through the medium of television.

In March 2007, Brenneman was cast to co-star in the Grey's Anatomy spinoff, Private Practice.

In 2007, Brenneman played "Sylvia Avila" in The Jane Austen Book Club. In 2008, Brenneman co-starred in 88 Minutes alongside Al Pacino.

Read more about this topic:  Amy Brenneman

Famous quotes containing the word career:

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)