In an interview, she spoke about the influences behind her first book, A Breath of Fresh Air (2002). While she was nine years old, her family was living in the Indian city of Bhopal because her father was posted in the Corps of Electrical and Mechanical Engineers. During that time, on the night of December 3, 1984, methyl isocyanate gas leaked from Bhopal's Union Carbide plant that killed many people. When this gas tragedy occurred, her family and she were staying at the Army Center which was a few kilometers away from the plant. Due to the wind that blew in a direction opposite to theirs, they remained unaffected by the gas leak. However, she remembered how those affected described the methyl isocyanate gas as chili powder in their lungs. These images stayed with her and took the form of a story, which she wanted to tell but had no idea how to. While living in Utah, the writing process for her first novel began.
The San Francisco Weekly wrote in its review about this book:
Amulya Malladi's gemlike first novel has a provocative, almost absurd concept. Built on too-familiar notions about womanhood, fidelity, and family...But, the quality of Malladi's writing elevates Fresh Air well above standard-issue book-club fodder, and her strong control over plot helps her avoid the overwritten narrative drift that plagues most first novels. The prose ... is economical, more Raymond Carver than Bharati Mukherjee. Plainly told, Malladi's story is a fine study of the tenuous control we have over love and memory.
A review from the TIME magazine said:
Malladi's subject is...compelling the survivors of the Bhopal tragedy remain neglected and angry after 18 years. was a child in Bhopal when the disaster happened and wasn't affected because her house was upwind of the Carbide factory. The victims of the accident now total 14,000, a number Malladi humanizes by keeping her story intimate.
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Famous quotes containing the words breath and/or fresh:
“Ill fares the land, to hastening ills a prey,
Where wealth accumulates, and men decay:
Princes and lords may flourish, or may fade;
A breath can make them, as a breath has made;
But a bold peasantry, their country’s pride,
When once destroyed, can never be supplied.”
—Oliver Goldsmith (1730?–1774)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)