American Opera Company - Jeannette Thurber's American Opera Company

Jeannette Thurber's American Opera Company

The first American Opera Company was founded in 1886 by well known arts patron Jeannette Meyers Thurber who had just founded the National Conservatory of Music of America a few months earlier. Based in New York City, the American Opera Company was under the musical direction of Theodore Thomas with Gustav Hinrichs and Arthur Mees assistant conductors and Charles E. Locke was the business manager. It rented the premises of the Academy of Music in New York City for local performances during 1886. It also toured, playing in April, May and June 1886 in, among other cities, Boston, Indianapolis, Philadelphia and St. Louis. The repertoire included Verdi's Aida, Wagner's Lohengrin, and Gounod's Faust. In August, the company announced an ambitious plan to travel to Paris, a trip that never came about.

A succinct statement of Thurber's vision for the American Opera Company appeared in August, 1886, when she was cited as "... the fact that the true conception of a national opera is opera sung in a nation's language and, as far as practicable, the work of a nation's composers, …in time to develop and patronize American composers."

Financial difficulties led to a reorganization and name change to the "National Opera Company" in December 1887 and, ultimately, bankruptcy in March, 1887.

Read more about this topic:  American Opera Company

Famous quotes containing the words thurber, american, opera and/or company:

    Comedy has to be done en clair. You can’t blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.
    —James Thurber (1894–1961)

    I believe no satirist could breathe this air. If another Juvenal or Swift could rise up among us tomorrow, he would be hunted down. If you have any knowledge of our literature, and can give me the name of any man, American born and bred, who has anatomised our follies as a people, and not as this or that party; and who has escaped the foulest and most brutal slander, the most inveterate hatred and intolerant pursuit; it will be a strange name in my ears, believe me.
    Charles Dickens (1812–1870)

    A pretty air in an opera is prettier there than it could be anywhere else, I suppose, just as an honest man in politics shines more than he would elsewhere.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    More company increases happiness, but does not lighten or diminish misery.
    Thomas Traherne (1636–1674)