American Gothic House - Early History and Architecture

Early History and Architecture

Charles A. Dibble (born 1836 in Saratoga County, New York), by various accounts a railroad man, livery stable owner, and Civil War veteran, lived in Eldon in the late nineteenth century. He and his wife, Catharine, began building the house in 1881 for themselves and their eight children. Its relatively simple board-and-batten siding, white color, and moderate size—just 504 square feet (46.8 m2)—were extremely common in nineteenth century Iowa architecture. Similar style can be observed in the birthplace of President Herbert Hoover in West Branch, built a decade before the American Gothic House, which features board-and-batten siding, a simple shingled roof, a central chimney, white color, and a moderate size as well. Unique and unusual exterior features of the house include its two Gothic windows in the gable and its steep-pitched roof. Both features would later be exaggerated by Grant Wood in American Gothic. The lower floor of the house contains three rooms and a bathroom, while the upper floor has two bedrooms. The house has been called the best-known example of a Carpenter Gothic cottage in the United States.

There is no conclusive evidence explaining why the Dibbles chose to place Gothic windows on the upper level. The windows are believed to have been purchased through the Sears catalog. There are two commonly accepted theories: the Dibbles may have wanted the windows to beautify their home at a time when rural life in Iowa was a struggle, or they could have been following a trend in which extravagant details were desirable in residences in the late nineteenth century, and the Dibbles chose windows whose costs would have been relatively reasonable at the time.

The Dibbles' house was foreclosed around 1897 after they were unable to pay their taxes, and they moved to Portland, Oregon by 1900. It exchanged hands several times until 1917, when Gideon and Mary Hart Jones purchased it. The Jones family owned the house until 1933 (and notably added a kitchen which created the west wing of the house); thus, it was the Jones family who allowed Grant Wood to use their home as a backdrop for American Gothic.