American Gear Manufacturers Association

The American Gear Manufacturers Association or AGMA is the trade group of companies in manufacturing gears and gearing. AGMA was founded in 1916; there are currently about 430 AGMA member companies.

AGMA is accredited by the American National Standards Institute (ANSI) to write all U.S. standards on gearing. In 1993, AGMA became the Secretariat for Technical Committee 60 (TC 60) of ISO. TC 60 is the committee responsible for developing all international gearing standards. In addition to the position of Secretariat, AGMA also chairs one-third of the active ISO Working Groups related to gearing.

AGMA hosts the industry's trade show, Gear Expo, every two years. Gear Expo is the only trade show dedicated to the complete gear manufacturing process, and is one of the world's most affordable machinery shows for exhibitors. Complete information on Gear Expo can be found at http://www.gearexpo.com

The AGMA Fall Technical Meeting provides paper presentations on the latest applied technical research in the gear and power transmission industry. The FTM is held annually at a different location in the United States each year. It is often held in conjunction with the Gear Expo.

Famous quotes containing the words american, gear and/or association:

    It is easy to see that, even in the freedom of early youth, an American girl never quite loses control of herself; she enjoys all permitted pleasures without losing her head about any of them, and her reason never lets the reins go, though it may often seem to let them flap.
    Alexis de Tocqueville (1805–1859)

    For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.
    Gloria Steinem (b. 1934)

    It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.
    Elizabeth Barrett Browning (1806–1861)