Some Famous Works of Art
The first production by Nikolais, after the creation of the Henry Street Playhouse, was called KALEIDOSCOPE and premiered at the American Dance Festival. It aired in the spring of 1956 and showcased his company of seven dancers, intensively trained by him, for the past 7 years. The next production to follow PRISM, BEWITCHED, AND CANTOS was an improvisational performance by the dancers that utilized mirrors and the specific use of score and lighting. The act was performed on four separate occasions and was different each time. TOTEM, an act centered on religion and fetish with an element of barbarism, was performed at the Fifth Festival of Two Worlds in Spoleto, Italy. The act received serious criticism. Following this, Nikolais went the complete opposite direction for his next performance, IMAGO. This act was meticulous and orderly; the performers were placed in similar make-up and headdress to accentuate unity. A much larger production, SANCTUM, showcased 27 performers, compared to the standard 10-15 Nikolais commonly used. This act dealt with opposites: natural vs. man-made, reality vs. imagination, primitive vs. sophisticated. The performance sold-out for 6 straight weeks in New York.
Read more about this topic: Alwin Nikolais
Famous quotes containing the words famous, works and/or art:
“What climbs the stair?
Nothing that common women ponder on
If you are worth my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors misrepresent,
The Proud Furies each with her torch on high.”
—William Butler Yeats (18651939)
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (17091784)
“I cant tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.... Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honour.”
—John Berger (b. 1926)