Synthesis
BAM powders are produced by heating a nearly stoichiometric mixture of boron, aluminium and magnesium for a few hours at a temperature in the range 900–1500 °C. Spurious phases are then dissolved in hot hydrochloric acid. To ease the reaction and make the product more homogeneous, the starting mixture can be processed in a high-energy ball mill. All pretreatments are carried out in a dry, inert atmosphere to avoid oxidation of the metal powders.
BAM films can be coated on silicon or metals by pulsed laser deposition, using AlMgB14 powder as a target, whereas bulk samples are obtained by sintering the powder.
BAM usually contains small amounts of impurity elements (e.g., oxygen and iron) that enter the material during preparation. It is thought that the presence of iron (most often introduced as wear debris from mill vials and media) serves as a sintering aid. BAM can be alloyed with silicon, phosphorus, carbon, titanium diboride (TiB2), aluminium nitride (AlN), titanium carbide (TiC) or boron nitride (BN).
Read more about this topic: Aluminium Magnesium Boride
Famous quotes containing the word synthesis:
“Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: “faith.””
—Sarah Bernhardt (1845–1923)
“It is in this impossibility of attaining to a synthesis of the inner life and the outward that the inferiority of the biographer to the novelist lies. The biographer quite clearly sees Peel, say, seated on his bench while his opponents overwhelm him with perhaps undeserved censure. He sees him motionless, miserable, his head bent on his breast. He asks himself: “What is he thinking?” and he knows nothing.”
—Andre Maurois (1885–1967)
“The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.”
—Jean Szarkowski (b. 1925)