History
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, and to both working together. Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10-12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. The alto clarinet may have been invented independently in America; the Metropolitan Museum of Art has a bassoon-shaped alto clarinet in E♭, cataloged as an "alto clarion", attributed to an anonymous American maker circa 1820. This instrument bears a strong resemblance to the "patent clarions" (bass clarinets) made from about 1810 by George Catlin of Hartford, Connecticut and his apprentices. Later, in Europe, Adolphe Sax made notable improvements to the alto clarinet.
Albert Rice defines clarinets in G with flared bells, which were produced as early as 1740, as alto clarinets, but this use of the term is uncommon.
Read more about this topic: Alto Clarinet
Famous quotes containing the word history:
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)
“The history of any nation follows an undulatory course. In the trough of the wave we find more or less complete anarchy; but the crest is not more or less complete Utopia, but only, at best, a tolerably humane, partially free and fairly just society that invariably carries within itself the seeds of its own decadence.”
—Aldous Huxley (18941963)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)