Definition
In writing an alternate history, the author makes the conscious choice to change something in our past. According to Steven H Silver, alternate history requires three things: 1) the story must have a point of divergence from the history of our world prior to the time at which the author is writing, 2) a change that would alter history as it is known, and 3) an examination of the ramifications of that change.
Several genres of fiction have been confused as alternate histories. Science fiction set in what was the future but is now the past, like Arthur C. Clarke's 2001: A Space Odyssey or Nineteen Eighty-Four, are not alternate history because the author has not made the conscious choice to change the past. Secret history, works that document things that are not known to have happened historically but would not have changed history had they happened, is also not to be confused with alternate history.
Alternate history is related to but distinct from counterfactual history—the term used by some professional historians when using thoroughly researched and carefully reasoned speculations on "what might have happened if..." as a tool of academic historical research.
Read more about this topic: Alternate History
Famous quotes containing the word definition:
“Although there is no universal agreement as to a definition of life, its biological manifestations are generally considered to be organization, metabolism, growth, irritability, adaptation, and reproduction.”
—The Columbia Encyclopedia, Fifth Edition, the first sentence of the article on life (based on wording in the First Edition, 1935)
“The man who knows governments most completely is he who troubles himself least about a definition which shall give their essence. Enjoying an intimate acquaintance with all their particularities in turn, he would naturally regard an abstract conception in which these were unified as a thing more misleading than enlightening.”
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“The very definition of the real becomes: that of which it is possible to give an equivalent reproduction.... The real is not only what can be reproduced, but that which is always already reproduced. The hyperreal.”
—Jean Baudrillard (b. 1929)