Works
- Die Geschichte der Baukunst bei der Alten. 3 vols. Berlin: G. Reimer, 1821–1827
- Die Geschichte der bildenden Künste bei den Alten. Berlin: Duncker und Humblot, 18331833
- Bilderbuch für Mythologie, Archäologie und Kunst. 2 vols. Berlin: In Commission bey I. D. Sander, 1805–1816
- Der Tempel der Diana zu Ephesus. Berlin: J. F. Weiss, 1809
- Die Baukunst nach den Grundsätzen der Alten. Berlin: In der Realschulbuchhandlung, 1809
- Osservazioni istorico-architettoniche sopra il Panteon. Rome: Pagliarini, 1791
- Kunstbemerkungne auf einer reise über Wittenberg und Meissen nach Dresden und Prag. Berlin: Verlag von Duncker & Humblot, 1830
- Die Lehre der Gebäude bei den Griechen und Römern. Berlin: Reimer, 1827
- Von den ägyptischen Pyramiden überhaupt, und von ihrem Baue insbesondere. Berlin: G. C. Nauck, 1815
- Heinrich Hübsch über griechische Baukunst, dargestellt. Berlin: s.n., 1823
- "Ueber die Baue Herodes des Grossen überhaupt, und über seinen Tempelbau zu Jerusalem ins besondere." Akademie der Wissenschaften, Berlin. Historisch-philologische Klasse. (1816–17): 1-24
- "Ueber die Bildung des Nackten bei den Alten." Abhandlungen der Königlichen Akademie der Wissenschaften in Berlin 7 (1820–21): 289-304
- "Ueber die Gegenstände der Kunst bei den Aegyptern." Abhandlungen der Königlichen Akademie der Wissenschaften in Berlin 7 (1820–21):115-174.
Read more about this topic: Aloys Hirt
Other articles related to "works, work":
... artist, producing over 4,000 original works in his lifetime ... Most of his works are either in public collections, or have been destroyed in fire or other misfortunes ... were only slightly overshadowed by his most popular of calendar works the "Four Seasons" illustrations for Brown Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes ...
... The titles of many Baroque works make mention of the continuo section, such as J ... is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ for sacred music ... In addition, the mere composition of certain works seems to require certain kind of instruments (for instance, Vivaldi's Stabat Mater seems to require an organ, and not a harpsichord) ...
... The Works Progress Administration (renamed during 1939 as the Works Project Administration WPA) was the largest and most ambitious New Deal agency, employing millions of unskilled workers to carry ... Writers documented local and state histories, artists painted murals and other works for new federal post offices and other buildings ...
... Krasicki's major works won European fame and were translated into Latin, French, German, Italian, Russian, Czech, Croatian, Slovene, Hungarian ... The broad reception of his works was sustained throughout the 19th century ... Krasicki has been the subject of works by poets of the Polish Enlightenment – Stanisław Trembecki, Franciszek Zabłocki, Wojciech Mier – and in the 20th century, by Konstanty Ildefons Gałczyński ...
... Wanda, 1810 Die Weihe der Unkraft, 1813, a recantation of his earlier work Martin Luther Kunigunde die Heilige, 1815 Geistliche Übungen für drei Tage, 1818 Die Mutter der Makkabäer, 1820 Zacharias Werner's ...
Famous quotes containing the word works:
“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484–424 B.C.)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)