Almeida Garrett - List of Works

List of Works

  • 1819 - Lucrécia (Lucretia)
  • 1820 - O Roubo das Sabinas (poem written in youth, published in 1968) (The Theft of the Sabines)
  • 1820 - Mérope (theater) (Merope)
  • 1821 - O Retrato de Vénus (poetry) (The Portrait of Venus)
  • 1821 - Catão (theater) (Cato)
  • 1825 - Camões (poetry) (Camoens)
  • 1826 - Dona Branca (poetry) (Mrs. Branca)
  • 1828 - Adozinda (poetry)
  • 1829 - Lírica de João Mínimo (poetry) (João Mínimo's Lyric)
  • 1829 - O tratado "Da Educação" ("Education" treaty)
  • 1830 - Portugal na Balança da Europa (Portugal on the scales of Europe)
  • 1838 - Um Auto de Gil Vicente (theater) (A Auto of Gil Vicente)
  • 1842 - O Alfageme de Santarém (theater)
  • 1843 - Romanceiro e Cancioneiro Geral, tomo 1
  • 1843 - Frei Luís da Sousa (theater) ISBN 0-85051-510-6 (Brother Luís de Sousa)
  • 1845 - Flores sem fruto (poetry) (Fruitless Flowers)
  • 1845 - O Arco de Sant'Ana I (fiction) (The Arch of Sant'Ana I)
  • 1846 - Falar Verdade a Mentir (theater) (Speaking the Thruth by Lying)
  • 1846 - Viagens na Minha Terra (fiction) ISBN 0-85051-511-4 (Travels in my Homeland)
  • 1846 - D. Filipa de Vilhena (theater)
  • 1848 - As profecias do Bandarra (Bandarra's Prophecies)
  • 1848 - Um Noivado no Dafundo (A Wedding in Dafundo)
  • 1848 - A sobrinha do Marquês (theater) (The Marquis's Niece)
  • 1849 - Memórias Históricas de José Xavier Mouzinho da Silveira (Historical Memories of José Xavier Mouzinho da Silveira)
  • 1850 - O Arco de Sant'Ana II (fiction) (The Arch of Sant'Ana II)
  • 1851 - Romanceiro e Cancioneiro Geral, tomo 2 e 3
  • 1853 - Folhas Caídas (poetry) (Fallen Leaves)
  • 1853 - Fábulas e Folhas Caídas (poetry) (Fables and Fallen Leaves)
  • 1854? - Helena (fiction)
  • 18?? - Afonso de Albuquerque
  • 1871 - Discursos Parlamentares e Memórias Biográficas (Parliamentary Speeches and Biographical Memories)

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    “The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
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    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
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