Writer
Kennen's first book, Beast, was created during a Master of Arts program in Creative Writing at Bath Spa University. It was published by Marion Lloyd Books in 2006 and the British librarians named it one of six finalists for the annual Carnegie Medal in Literature, which recognises the year's best children's book published in the U.K. The judges recommended it for readers age 12 and up.
Her fourth book, Sparks, published by Marion Lloyd in 2010, was one of eight books on the longlist for that year's Guardian Children's Fiction Prize. The Prize is judged by a panel of children's writers and it annually recognises one new British children's novel by an author who has not won it. The judges recommended Sparks for readers age 9 and over. According to their summary, the adventure novel features three children who decide to follow their deceased grandfather's unusual instructions regarding his funeral. The mission sets them against the adults in the family and against the law.
Two years later Kennen made the Guardian Prize longlist again with Bullet Boys, published by Scholastic in 2012 (recommended for ages 14+). It had been The Guardian newspaper's "teen book of the month" for March, initiated by Anthony McGowan's review and by Kennen's account, "How I wrote Bullet Boys".
Read more about this topic: Ally Kennen
Famous quotes containing the word writer:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.”
—Ernest Hemingway (1899–1961)
“Writing, at its best, is a lonely life. Organizations for writers palliate the writer’s loneliness, but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”
—Ernest Hemingway (1899–1961)