Allucius - Versions

Versions

  • The Continence of Scipio by Nicolò dell'Abbate (1555), Louvre
  • The Continence of Scipio by Joseph-Marie Vien, Musée Granet (with another version in the royal house of Warsaw)
  • The Continence of Scipio by François Lemoyne (1726), Musée des Beaux-Arts, Nancy
  • The Continence of Scipio by Pompeo Batoni (1771 or 1772), Hermitage Museum
  • Scipio receives Allucius, by Victor Honoré Janssens, Louvre
  • The Continence of Scipio by Paul Chenavard (1848), Musée des Beaux-Arts, Lyon
  • The Continence of Scipio by Jean-Germain Drouais (1784), Musée des Beaux-Arts, Rennes
  • The Continence of Scipio by Gerbrand van den Eeckhout (1669), Musée des Beaux-Arts, Lille
  • The Continence of Scipio by Pietro Francesco Guala (1750), Musée départemental de l'Oise, Beauvais
  • The Continence of Scipio, by Lambert Lombard (1547), Musée des Beaux-Arts, Rennes
  • The Continence of Scipio by Nicolaes Cornelisz Moeyaert (17th century), Musée des Beaux-Arts de Caen
  • The Continence of Scipio by Giambattista Pittoni (1733), Louvre
  • The Continence of Scipio, by Nicolas Poussin (1645), Louvre
  • The Continence of Scipio by Pieter Josef Verhaghen (1781), Musée des Beaux-Arts, Valenciennes
  • The Continence of Scipio by Sebastiano Ricci (1706), Art Institute of Chicago
  • The Clemency of Scipio by Michele Rocca (1720), Louvre
  • The Clemency of Scipio by Giulio Romano (1688), Louvre

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    The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.
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