Old English Poetic Forms
Old English poetry appears to be based upon one system of verse construction, a system which remained remarkably consistent for centuries, although some patterns of classical Old English verse begin to break down at the end of the Old English period.
The most widely used system of classification is based on that developed by Eduard Sievers. Sievers' system is a method of categorization rather than a full theory of meter. It does not, in other words, purport to describe the system the scops actually used to compose their verse, nor does it explain why certain patterns are favored or avoided. Sievers divided verses into five basic types, labeled A-E. The system is founded upon accent, alliteration, the quantity of vowels, and patterns of syllabic accentuation.
Read more about this topic: Alliterative Verse
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“From alle wymmen mi love is lent
And lyht on Alysoun.”
—Unknown. Alison. . .
Oxford Book of English Verse, The, 1250–1918. Sir Arthur Quiller-Couch, ed. (New ed., rev. and enl., 1939)
“The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.”
—Ralph Waldo Emerson (1803–1882)
“The blood weeps from my heart when I do shape,
In forms imaginary, th’ unguided days
And rotten times that you shall look upon
When I am sleeping with my ancestors.”
—William Shakespeare (1564–1616)