Allison Hayes - Career

Career

Hayes made her film debut in the 1954 comedy Francis Joins the WACS. Her second film, Sign of the Pagan, provided her with an important role in a relatively minor film. Opposite Jack Palance, she played the part of a siren who ultimately kills him. Despite the strength of her second film role, she played minor roles in her next few films. Originally cast in Foxfire (1955), she was removed from the film during a lawsuit filed against Universal Pictures for injuries, including broken ribs, that she had sustained during the filming of Sign of the Pagan. Released from her contract, she was signed by Columbia Pictures in 1955.

Her first film for Columbia, Chicago Syndicate, did not require her to do more than look glamorous in a series of evening gowns. Her next film Count Three and Pray, however, gave her the role that she later described as the best of her career. Hayes played with Van Heflin, co-starring with Raymond Burr and Joanne Woodward in her debut. As an arrogant Southern belle she was in love with Heflin, returning from the Civil War as a minister. After being spurned by him, Hayes is reduced to becoming Burr's live-in "housekeeper". Hayes had several well-played dramatic scenes. However, when the film was released much of the attention of reviewers was focused on Woodward, and Hayes was largely ignored. She appeared in films such as Steel Jungle, Mohawk, and Gunslinger (all 1956), but a fall from a horse during the filming of the latter left Hayes with a broken arm and unable to work. After she recovered she began appearing in supporting roles in television productions.

In 1958 she played in several B movies, including Wolf Dog, shot in Canada, as well as taking the leading role in Attack of the 50 Foot Woman which is probably her best-known role. (1958). With its science fiction storyline and low budget, the film attained popularity with some movie fans, and in the subsequent years has attracted a cult film following based primarily on Hayes spending almost all the time she's enlarged calling for "Harry!" as she angrily searches for her philandering husband. The film did not lead to better roles, though she remained constantly employed, and also found work as a model. During 1963 and 1964 she played a continuing role in the soap opera General Hospital but by this time her career was virtually over. A close friend of Raymond Burr since filming Count Three and Pray, she made five guest appearances on his Perry Mason series during this time.

As her acting career declined, she began to experience severe health problems, and was unable to walk without a cane. In severe pain, her usually good-natured personality began to change and she became emotional and volatile, making it difficult for her to secure acting work. She was given a very minor role in the 1965 Elvis Presley film Tickle Me, making her final appearances in a guest role on Gomer Pyle, U.S.M.C. in 1967.