The Alliance of Artists and Recording Companies. (AARC) is a non-profit US royalty collective, assembled by the US music industry in conjunction with the Audio Home Recording Act of 1992, that protects the rights of featured artists and recording companies(sound recording copyright owners) both domestically and abroad in the areas of hometaping/private copy royalties and rental royalties.
AARC is headquartered in Alexandria, Virginia, just south of Washington, DC. Linda R. Bocchi is the Executive Director.
Read more about Alliance Of Artists And Recording Companies: AARC Summary and Foreign Royalties, AARC Board, MyMUSICroyalties
Famous quotes containing the words alliance of, alliance, artists, recording and/or companies:
“Let it be an alliance of two large, formidable natures, mutually beheld, mutually feared, before yet they recognize the deep identity which beneath these disparities unites them.”
—Ralph Waldo Emerson (1803–1882)
“An alliance is like a chain. It is not made stronger by adding weak links to it. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department.”
—Walter Lippmann (1889–1974)
“Perhaps all artists were, in a sense, housewives: tenders of the earth household.”
—Erica Jong (b. 1942)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“Socialite women meet socialite men and mate and breed socialite children so that we can fund small opera companies and ballet troupes because there is no government subsidy.”
—Sugar Rautbord, U.S. socialite fund-raiser and self-described “trash” novelist. As quoted in The Great Divide, book 2, section 7, by Studs Terkel (1988)