All The Real Girls - Plot

Plot

Paul (Schneider) is a womanizer in his early twenties who lives in a small Southern town, where he earns a living fixing cars for his uncle. Paul still lives with his mother, Elvira (Clarkson), who works as a clown cheering up children at the local hospital. He spends most of his time hanging out with his best friend and self-proclaimed partner-in-crime, Tip (Whigham), and their friends Bo (Compte) and Bust-Ass (McBride). Among his friends, Paul has a reputation as a ladies' man, but he's not at all known for being involved with long-term relationships; most of Paul's romances last only a few weeks, and he's slept with nearly every girl in town. Paul is beginning to reach a point where he would like to lead a different life, and that feeling becomes all the more clear when he meets Noel (Deschanel), Tip's teenage sister who has come back home after attending a boarding school. Noel is more thoughtful and mature than the girls Paul is used to. Paul and Noel soon fall in love, but for Paul this is a different sort of relationship than he's accustomed to — Noel is still a virgin, and her contemplative nature gives him a desire to be a better, stronger person, but Tip doesn't approve of Paul dating his younger sister, which leads to a rift between these longtime friends.

Read more about this topic:  All The Real Girls

Famous quotes containing the word plot:

    “There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
    —Ralph Waldo Emerson (1803–1882)

    ““The plot thickens,” he said, as I entered.”
    —Sir Arthur Conan Doyle (1859–1930)

    “Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
    —Jane Rule (b. 1931)