All My Sons - Background

Background

Miller wrote All My Sons after his first play The Man Who Had All the Luck failed on Broadway, lasting only four performances. Miller wrote All My Sons as a final attempt at writing a commercially successful play; he vowed to "find some other line of work" if the play did not find an audience.

All My Sons is based upon a true story, which Arthur Miller's then mother-in-law pointed out in an Ohio newspaper. The story described how a woman informed on her father who had sold faulty parts to the U.S. military during World War II.

Henrik Ibsen's influence on Miller is evidenced from the Ibsen play The Wild Duck, where Miller took the idea of two partners in a business where one is forced to take moral and legal responsibility for the other. This is mirrored in All My Sons. He also borrowed the idea of a character’s idealism being the source of a problem.

The criticism of the American Dream, which lies at the heart of All My Sons, was one reason why Arthur Miller was called to appear before the House Un-American Activities Committee during the 1950s, when America was gripped by anti-communist hysteria. Miller sent a copy of the play to Elia Kazan who directed the original stage version of All My Sons. Kazan was a former member of the Communist Party who shared Miller's left-wing views. However, their relationship was destroyed when Kazan gave names of suspected Communists to the House Un-American Activities Committee during the Red Scare.

Read more about this topic:  All My Sons

Famous quotes containing the word background:

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.
    Friedrich Nietzsche (1844–1900)