Sound Production
David “Shirt” Nicholls was the audio mixer, using a Digidesign Venue with both the Eventide Anthology Pack, which provided sound effects, and Venue Pro Pack, which was a complete digital mixing console. Nicholls has expressed his admiration for the Venue Pro Pack and also explained that the A-T 4050 microphones which he used on the tour took a battering during shows. Nicholls has called the T6100 vocal microphones he used "bulletproof" as they would occasionally "go flying up into the seats" during shows but would still work the next show. The Meyer P.A., which accumulates 16 MILO seat boxes, nine Nexo CD-18 subwoofers, and six flown HP700s on the ground per side, was provided by Thunder Audio.
The system was controlled by Meyer Sound Galileo. The side-hang featured 10 MICA boxes per side, with four UPJs for front-fills. Ron Hurd, the tour's monitor engineer, mixed the show using a Yamaha PM5D console. Hurd said, “I'm not using any plug-ins or rack gear except for an Big Ben word clock. Six of the nine guys are on ears: Ultimate Ears with Sennheiser G2s.”
Read more about this topic: All Hope Is Gone World Tour
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