Plot
Katrina Alegre (Jean Garcia) is the best friend of Alma Bautista (Eula Valdez). Katrina was Frederico Gonzales's (Richard Gomez) first love but, Frederico's mother Dona Concepcion Gonzales (Celia Rodriguez) forced Frederico to marry Lisa Cortez (Ina Raymundo). While married to Lisa, Frederico fathers two daughters from his wife and from Katrina. Frederico gives Katrina a bracelet which was found one day in the same room where Lisa was found dead.
Katrina is imprisoned although she claims her innocence. Her daughter, Erika Alegre Reyes (Sunshine Dizon) is adopted by Mando Reyes (Ian de Leon). Alma marries Frederico. Warren Bautista (Alfred Vargas), Alma's son, lives at the same house where the Gonzales live. There, Warren and Nicole (Iza Calzado)'s attachment grows.
Life changes radically for Nicole when Frederico decides to support Erika when Mando dies. He gave Erika a place to stay in his home, which is much richer than where she had originally lived. Erika envies Nicole for all she is and has, even Warren's love.
Soon after she steals Warren from Nicole, Erika puts her eyes on Nicole's new boyfriend, Kenneth Villareal (Mark Anthony Fernandez), the son of the MBS Network owner, who Nicole met during a trip to Singapore. She tries seducing him, but Kenneth's love for Nicole is stronger than Erika thought. Katrina is released from jail shortly after.
Read more about this topic: All About Eve (Philippines TV Series)
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)