Differences in Alkaliphilic ATP Production
In addition to the method of proton extrusion discussed above, it is believed that the general method of cellular respiration is different in obligate alkaliphiles as compared to neutrophiles. Generally, ATP production operates by establishing a proton gradient (greater H+ concentration outside the membrane) and a transmembrane electrical potential (with a positive charge outside the membrane). However, since alkaliphiles have a reversed pH gradient, it would seem that ATP production – which is based on a strong proton motive force – would be severely reduced. However, the opposite has been shown to be true. It has been proposed that while the pH gradient has been reversed, the transmembrane electrical potential is greatly increased. This increase in charge causes the production of greater amounts of ATP by each translocated proton when driven through an ATPase. Research in this area is ongoing.
Read more about this topic: Alkaliphile
Famous quotes containing the words differences in, differences and/or production:
“I don’t know what immutable differences exist between men and women apart from differences in their genitals; perhaps there are some other unchangeable differences; probably there are a number of irrelevant differences. But it is clear that until social expectations for men and women are equal, until we provide equal respect for both men and women, our answers to this question will simply reflect our prejudices.”
—Naomi Weisstein (b. 1939)
“What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.”
—Pamela Patrick Novotny (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)