Early Life and Background
Alka Yagnik was born in Kolkata on March 20, 1966. Her mother Shubha Yagnik was a singer of Indian classical music. She received her school education from Modern High School for Girls. At the age of 6, she started singing for Akashvani (All India Radio), Calcutta. At age 10, her mother brought her to Bombay as a child singer. She was advised to wait until her voice matured, but her mother remained determined. On a subsequent visit, Alka got a letter of introduction to Raj Kapoor from his Kolkata distributor. Kapoor heard the girl and sent her with a letter to noted music director Laxmikant. Impressed, Laxmikant gave her two alternatives — an immediate start as a dubbing artist or a later break as a singer;and they settled for the latter.
Read more about this topic: Alka Yagnik
Famous quotes containing the words early life, early, life and/or background:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“Foolish prater, What dost thou
So early at my window do?
Cruel bird, thou’st ta’en away
A dream out of my arms to-day;
A dream that ne’er must equall’d be
By all that waking eyes may see.
Thou this damage to repair
Nothing half so sweet and fair,
Nothing half so good, canst bring,
Tho’ men say thou bring’st the Spring.”
—Abraham Cowley (1618–1667)
“For all the boredom the straight life brings, it’s not too bad.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)