Alive II - Album Information

Album Information

The origins of Alive II go back to early 1977 when the band's manager Bill Aucoin, had the idea to have Eddie Kramer record a live album during the evening show at Budokan Hall in Tokyo on April 2, 1977. The plan was to release a live album to give Kiss some much deserved time off before recording the album that would become Love Gun later that Fall. Kramer finished work on the album, but Casablanca Records and Kiss deemed it unusable, and the band forged ahead with the Love Gun sessions.

Most of the live tracks on Alive II were recorded during the band's August 26–28 shows at the Los Angeles Forum while on their Love Gun tour. The 3:00 PM soundchecks at the August 26 and 27 shows were recorded, and later used on the album (i.e. "Tomorrow And Tonight") with crowd noise being dubbed in later. "Beth" and "I Want You" were lifted from the aborted Japanese live album and used on the finished Alive II. As the band did not want to duplicate songs included on Alive!, the songs chosen for the three live sides of the album were all drawn from Kiss' three preceding studio albums - Destroyer, Rock and Roll Over and Love Gun.

On the original double album, the songs on side 4 (tracks #6-10 on the second CD) are studio tracks. Although Ace Frehley was originally credited for lead guitar on the studio tracks, the remastered version released in 1997 confirmed what had been speculated by Kiss fans for years. Bob Kulick actually played lead guitar on three tracks ("All American Man", "Rockin' In The U.S.A." and "Larger Than Life"), not Frehley. Frehley's sole involvement for the studio songs was "Rocket Ride" which he originally wrote for a solo album. Frehley sang the lead vocals and played both the guitar and bass on this song. Paul Stanley played all guitars on "Anyway You Want It" which was originally recorded by the Dave Clark Five in 1964.

Read more about this topic:  Alive II

Famous quotes containing the words album and/or information:

    What a long strange trip it’s been.
    Robert Hunter, U.S. rock lyricist. “Truckin’,” on the Grateful Dead album American Beauty (1971)

    The family circle has widened. The worldpool of information fathered by the electric media—movies, Telstar, flight—far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage.
    Marshall McLuhan (1911–1980)