Alifa Rifaat - Literary Themes and Translations

Literary Themes and Translations

Alifa Rifaat wrote in Arabic throughout her literary career. Her style, though focusing more on romance in the beginning of her career, later shifted to social critique after she met translator Denys John-Davies. Denys also persuaded her to write in a more colloquial style of Arabic, which although being a more accessible form of writing to the Egyptian population, was also during this period a less desired form of writing than the formal style. Her novels and short stories have been translated into multiple languages including English, German, Dutch, and Swedish. The most popular English translation of her work is of her collection of short stories, Distant View of a Minaret and Other Short Stories, which is translated by Denys Johnson-Davies. Fatimah Rifaat, unlike the prominent Egyptian Feminist Nawal El Saadawi, focused her writing on women in traditional Islamic roles. In her autobiography Fatimah describes her father’s lack of affection towards her as a possible root of her exploration of the needs and desires of men in terms of women. She continues on to relate that through her life she found that "all men seek is pleasure. For that reason I cry out for complete and complementary love in all my writings." Fatimah also expresses in her autobiography the need for men and women to only participate in intercourse when they are in a serene state, so that orgasm can be achieved, which she believes acts to strengthen faith in God. Fatimah Rifaat’s writing centers upon the silent plight of women in a patriarchal Muslim society. Her stories mainly take place in provincial Egypt. These stories handle themes such as sex, death, marriage, masturbation, clitoridectomy, love, teenage pregnancy, widowhood, and loss along with other controversial topics. During this time period a woman was considered a purely sexual being, and the allowance of freedom of her sexuality was feared to result in fitna, or societal chaos. Although Alifa Rifaat strove to express through writing the sexual repression of women, her stories and her life were conducted in an orthodox Muslim manner and she did not advocate the rise of women against patriarchy. Most of Rifaat’s female protagonists take a resigned or begrudgingly accepting stance towards the hardships they face in life. For Fatimah Rifaat, patriarchy is merely a fact of life and acceptable under Quranic terms, however it is the opposite and in some instances even the same gender’s lack of observance towards religious teachings that acts as the catalyst to many of the protagonists’ problems. In her stories many of the sexual encounters take place during the characters marriage and there is no instance of extra-marital male-female relationships as this would be considered purely sinful under the practice of Islam. Some of Fatimah Rifaat’s most popular stories include "Distant View of a Minaret," "Bahiyya’s Eyes," and "My World of the Unknown."