Alfa Romeo 164 - Design

Design

Project 164 started life as Project 154, then still under Alfa Romeo, which was completed in 1981, a year before 164 was complete as 1:1 scale model. Then in 1982 it was transformed to fit onto Tipo 4 chassis.

The Alfa Romeo 164 was styled by Enrico Fumia at Pininfarina in 1982,. The 164 can be seen as the logical extension and successor of the Alfetta, particularly the late-model "long nose, square light".

The 164 was the first Alfa to feature extensive use of computer aided design for calculating structural stresses, resulting in a very rigid but still relatively lightweight body. The 164 was the basis of the Type Four platform, which it shares with Lancia Thema, Fiat Croma and Saab 9000. Being the last to reach the market, the 164's bodyshell was the most aerodynamic of the four, and had a markedly sleeker profile and lower coefficient of drag. In order to permit this design variation, an exclusive front suspension was developed.

The 164 was the first of the "new technology" Alfa Romeos, and is the technological and styling basis of all Alfas to the present day.

The 164 also introduced dramatically improved build quality over previous Alfas, featuring galvanised steel frame and various body panels for the first time, ending the most common complaint by Alfa customers about rust problems encountered in older models such as the Alfasud and the GTV.

Even though some purists feared of loss of character due to the adoption of front-wheel drive for the first time in an Alfa top-line saloon, the car proved itself as a comfortable and sure-footed car, with a distinctively sporting character, inline with the marque's tradition. In fact, the motorpress of the day found its only fault to be some torque steer, particularly in earlier versions.

Equipped with the most complex wiring loom of any Alfa Romeo, the 164 was designed to compete in the executive car segment dominated by the German cars. It offered better value for money in terms of technology (having three onboard computers, one for air conditioning, one for instrumentation, and one for engine management; air conditioning and instrument functions shared a multiple-mode coded Z-80-class microcontroller for dashboard functioning). Air-direction within the ventilation system was controlled by a pair of servomechanisms, which were constructed using notoriously fragile plastic gears and were prone to failure; possible high part costs are alleviated by the commonality of these parts with the 166. At least one aftermarket company has also developed metal replacement gears which eliminates the breakage issue.

The car had some very advanced features for its day, such as automatic climate control and electronically controlled damping suspension (in the top-line Cloverleaf models and 164S). This suspension actively reduced damping in response to conditions to provide a dynamic compromise between road holding and comfort. The 164 also boasted engines rated among the best in the industry at the time, and the same basic engine designs were used until very recently by Alfa Romeo across its model range.

Read more about this topic:  Alfa Romeo 164

Famous quotes containing the word design:

    We find that Good and Evil happen alike to all Men on this Side of the Grave; and as the principle Design of Tragedy is to raise Commiseration and Terror in the Minds of the Audience, we shall defeat this great End, if we always make Virtue and Innocence happy and successful.
    Joseph Addison (1672–1719)

    For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.
    Ralph Waldo Emerson (1803–1882)

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)