Style
Chung is a muse to many fashion designers because of her distinctive personal style. She frequently appears on best-dressed lists, is a regular cover girl for Vogue, Elle and Harper's Bazaar and is often seen in the front row at fashion shows. In 2009 the designer handbag company Mulberry created a much sought-after bag named after and inspired by Chung, called the "Alexa". In January 2010, she was named in Tatler’s top 10 best-dressed list. In February 2010, Chung collaborated with J.Crew's Madewell on a womenswear line which was unveiled during New York Fashion Week. She is collaborating with Madewell once again for a second collection, set to debut on September 22nd, 2011.
Vogue’s Anna Wintour has described Chung as "a phenomenon" while the New York Times has declared her "the Kate Moss of the new generation". Chanel designer Karl Lagerfeld has described her as "beautiful and clever...a modern girl". In December 2010, Bryan Ferry, on behalf of the British Fashion Council, presented Chung with the British Style Award which "recognises an individual who embodies the spirit of British fashion and is an international ambassador for the UK as a leading creative hub for fashion" at a ceremony at the Savoy Theatre in London. At the British Fashion Awards 2011, Chung won the British Style Award, which was voted for by the public.
Read more about this topic: Alexa Chung
Famous quotes containing the word style:
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)