Architecture
The architectural design of the original 1925 Alexander, as it was known until about 1939, was attributed to the architectural firm of Meyer & Holler; the front addition in 1939 was attributed to Arthur G. Lindley and Charles R. Selkirk, who also designed the Hotel Glendale. The unique interior has distinct neo-classic Greek and Egyptian architectural elements, similar to the Greco-Egyptian period of Ptolemaic Egypt. A long walkway and courtyard separating the ticket booth from the lobby was inspired after the famous Grauman's Egyptian Theatre in Hollywood.
In 1940, notable theater architect S. Charles Lee was commissioned to redesign the exterior of the Alexander. Lee's portfolio included the Tower Theatre and the Los Angeles Theatre, both in Downtown Los Angeles, the Academy Theatre in Inglewood, as well as the Tujunga Theatre in Tujunga. His contributions included a 100-foot-tall (30 m) art-deco column with neon lights, topped by a spiked, neon sphere that gave it a "starburst" appearance. A neon, angled marquee emblazoned the theater's new name, the Alex, which was shortened to fit the larger letters.
Read more about this topic: Alex Theatre
Famous quotes containing the word architecture:
“They can do without architecture who have no olives nor wines in the cellar.”
—Henry David Thoreau (1817–1862)
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)