Alex P. Keaton - Reception and Influence

Reception and Influence

The humor of the series focused on a real cultural divide during the 1980s, between the baby boomers and Generation X. According to Stephen Kiehl, this was when the "Alex Keaton generation was rejecting the counterculture of the 1960s and embracing the wealth and power that came to define the '80s." While the youngest, Jennifer (an athletic tomboy) shares the values of her parents, Alex and Mallory embraced Reaganomics and consequent conservative values: Alex is a Young Republican and Mallory is a more traditional young woman in contrast to her feminist mother.

In the Museum of Broadcast Communications entry for Family Ties Michael Saenz argues that

few shows better demonstrate the resonance between collectively held fictional imagination and what cultural critic Raymond Williams called "the structure of feeling" of a historical moment than Family Ties. Airing on NBC from 1982 to 1989, this highly successful domestic comedy explored one of the intriguing cultural inversions characterizing the Reagan era: a conservative younger generation aspiring to wealth, business success, and traditional values, serves as inheritor to the politically liberal, presumably activist, culturally experimental generation of adults who had experienced the 1960s. The result was a decade, paradoxical by America's usual post-World War II standards, in which youthful ambition and social renovation became equated with pronounced political conservatism. "When else could a boy with a briefcase become a national hero?" queried Family Ties' creator, Gary David Goldberg, during the show's final year.

In 1999 TV Guide ranked him number 17 on its '50 Greatest TV Characters of All Time' list.