Alessandra Marc - Opera Roles

Opera Roles

  • Aïda, Aïda (Verdi)
  • Anita, Jonny spielt auf (Ernst Krenek)
  • Bianca, Eine florentinische Tragödie (Alexander von Zemlinsky)
  • Brünnhilde, Die Walküre (Wagner)
  • Ariadne, Ariadne auf Naxos (Richard Strauss)
  • Chrysothemis, Elektra (Richard Strauss)
  • Elektra, Elektra (Richard Strauss)
  • Elisabeth, Don Carlo (Verdi)
  • Giannetta L'elisir d'amore (Donizetti)
  • Ismene (Elettra), Idomeneo (Mozart) (reset by Richard Strauss)
  • Iphigenia, Iphigénie en Tauride (Gluck) (reset by Wagner)
  • Lady Cifford, Henry Cifford (Isaac Albéniz)
  • Lisabetta, La cena delle beffe (Giordano)
  • Maria, Friedenstag (Richard Strauss)
  • Mariana, Das Liebesverbot (Wagner)
  • Salome, Salome (Richard Strauss)
  • Sieglinde, Die Walküre (Wagner)
  • Silvana La Fiamma (Ottorino Respighi)
  • Tosca, Tosca (Puccini)
  • Turandot, Turandot (Puccini)

Read more about this topic:  Alessandra Marc

Famous quotes containing the words opera and/or roles:

    “Are you suggesting that we reopen the Opera with a murder as an added attraction?”
    —Eric Taylor, Leroux, and Arthur Lubin. Lecours (Fritz Feld)

    “Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
    —Sylvia Ann Hewitt (20th century)