Alessandra Marc - Career

Career

Marc began her career singing in the chorus and in smaller roles with the Washington National Opera in the early 1980s. Her professional solo debut with the company was as Giannetta in Donizetti's L'elisir d'amore. In 1983, she sang the role of Mariana in Wagner's Das Liebesverbot at the Waterloo Festival. In 1984, she made her New York City debut at the 92nd Street Y, singing Shostakovich's Fourteenth Symphony with Gerard Schwarz and the Y Chamber Symphony. Shortly thereafter, Marc made several notable appearances at different music festivals such as the role of Iphigenia in Wagner's resetting of Gluck's Iphigénie en Tauride at the Waterloo Festival and the role of Ismene/ Elettra, in Richard Strauss's resetting of Mozart's Idomeneo at the Mostly Mozart Festival among others.

Marc first came to broader public attention at the Wexford Festival in 1987 as Lisabetta in Giordano's La cena delle beffe. That same year, she made her Carnegie Hall debut as Silvana in Ottorino Respighi's La Fiamma with Robert Bass and the Collegiate Chorale. In 1988 she made her debut with Santa Fe Opera as Maria in Richard Strauss' Friedenstag, a role which she later reprised at Carnegie Hall with Robert Bass. She also made her debut with Lyric Opera of Chicago in the title role of Verdi's Aida and her debut with Connecticut Grand Opera in the title role of Puccini's Tosca. In 1989 she made debuts at the Metropolitan Opera and the San Francisco Opera both in the title role of Verdi's Aida. She also performed and recorded the role of Maria in Richard Strauss' Friedenstag with Robert Bass and the Collegiate Choral and Orchestra at Carnegie Hall.

In 1992 she sang the title role of Richard Strauss' Ariadne auf Naxos in her debut at the Vienna State Opera and her debut at the Rome Opera in the title role of Verdi's Aida. She also made her debut with Grand Théâtre de Bordeaux as Elisabeth in Verdi's Don Carlo and sang Turandot with the Opera Company of Philadelphia. In 1993, Marc opened up the Ravinia Festival with the Chicago Symphony Orchestra. In 1994, Marc made her debut at the Royal Opera House, Covent Garden in the title role of Puccini's Turandot. She also sang Beethoven's Ninth Symphony with Christoph Eschenbach and the Boston Symphony Orchestra at the Tanglewood Music Festival. In 1995 Marc gave a critically acclaimed recital of Handel, Mozart and Bellini arias at the Mostly Mozart Festival, gave a concert of the works of Verdi and Ravel with the New Jersey Symphony Orchestra, and sang the role of Chrysothemis in Strauss' Elektra with the Chicago Symphony. In 1996, she sang Turandot with Opera Pacific. In 1998 she sang Turandot with the Milwaukee Symphony and with Michigan Opera Theatre. She also gave a concert of arias with the Dallas Symphony and sang the role of Brünnhilde in Wagner's Die Walküre with Rome Opera.

In the 2005-2006 season, Marc performed the title role in Puccini's Turandot with Zubin Mehta and the Maggio Musicale Fiorentino, and reprised the role with the same company in the 2006-2007 season at the New National Theatre in Tokyo. In 2007, she also performed the title role in Richard Strauss' Salome with Orquestra Nacional do Porto.

In the 2007-2008 season, Marc made appearances at the Washington National Opera with Plácido Domingo conducting and at the Kennedy Center with the Choral Arts Society of Washington. She also gave several recitals throughout the United States. Among other appearances in the 2008-2009 season, she sang with the National Gallery Orchestra and the Alexandria Symphony Orchestra.

Marc returned to the New York stage in the 2009-2010 season, in concert at Carnegie Hall's Weill Recital Hall on February 6, 2010.

In addition, Marc has sung her signature role, Turandot, at Opéra Bastille in Paris, the Teatro alla Scala in Milan, the Washington National Opera, and the Metropolitan Opera, among others.