Alberto Manguel - Works

Works

  • The Dictionary of Imaginary Places (1980) ISBN 0-02-546400-0
  • Black Water: The Book of Fantastic Literature (1983, anthology) ISBN 0-517-55269-8
    • Black Water 2: More Tales of the Fantastic (1990, anthology) ISBN 0-88619-124-6
  • Dark Arrows: Chronicles of Revenge (1985, anthology) ISBN 0-14-007712-X
  • Other Fires: Short Fiction by Latin American Women (1986, anthology) ISBN 0-88619-065-7
  • Evening Games: Chronicles of Parents and Children (1986, anthology) ISBN 0-14-007713-8
  • Chronicles of Marriage (1988, anthology) ISBN 0-14-009928-X
  • The Oxford Book of Canadian Ghost Stories (1990, anthology) ISBN 0-19-540761-X
  • Soho Square III (1990, anthology) ISBN 0-7475-0716-3
  • Seasons (1990, anthology) ISBN 978-0-385-25265-2
  • White Fire - further fantastic literature (1990, anthology) ISBN 0-330-31380-0
  • News From a Foreign Country Came (1991, novel) ISBN 0-517-58343-7
  • Canadian Mystery Stories (1991, anthology) ISBN 0-19-540820-9
  • The Gates of Paradise: The Anthology of Erotic Short Literature (1993, anthology) ISBN 0-921912-47-1
    • The Second Gates of Paradise: The Anthology of Erotic Short Literature (1994, anthology) ISBN 0-921912-77-3
  • Meanwhile, In Another Part of the Forest: Gay Stories from Alice Munro to Yukio Mishima (1994, anthology) ISBN 0-394-28012-1
  • A History of Reading (1996, non-fiction) ISBN 0-394-28032-6
  • Lost Words (1996, anthology), ISBN 978-0-904286-56-4
  • Bride of Frankenstein (1997, film criticism) ISBN 0-85170-608-8
  • Into the Looking Glass Wood (1998, essays) ISBN 0-676-97135-0
  • By the Light of the Glow-worm Lamp: Three Centuries of Reflections on Nature (1998, anthology) ISBN 0-306-45991-4
  • Mothers & Daughters (1998, anthology) ISBN 1-55192-127-8
  • Fathers & Sons (1998, anthology) ISBN 1-55192-129-4
  • The Ark in the Garden: Fables for Our Times (1998, anthology) ISBN 1-55199-030-X
  • A Visit to the Dream Bookseller / Ein Besuch beim Traumbuchhändler (1998, non-fiction)
  • God's Spies: Stories in Defiance of Oppression (1999, anthology) ISBN 1-55199-040-7
  • Reading Pictures: A History of Love and Hate (2000, art criticism) ISBN 0-676-97132-6
  • Kipling: A Brief Biography for Young Adults (2000), ISBN 1-896209-48-3
  • Comment Pinocchio apprit à lire (How Pinocchio Learned to Read, 2000, non-fiction) ISBN 2-88888-102-0
  • Stevenson under the Palm Trees (2003, novel) ISBN 0-88762-138-4
  • A Reading Diary (2004, non-fiction) ISBN 0-676-97590-9
  • With Borges (2004, biography), ISBN 0-88762-146-5
  • El regreso (A Return, 2005, novel) ISBN 950-04-2653-6
  • The Penguin Book of Christmas Stories (2005, anthology) ISBN 0-670-06449-1
  • Un amant très vétilleux (The Overdiscriminating Lover, 2005, novel) ISBN 978-2-7427-5438-0
  • The Library at Night (2006, non-fiction) ISBN 0-676-97588-7
  • Nuevo elogio de la locura (At the Mad Hatter’s Table, 2006, non-fiction) ISBN 978-950-04-2762-3
  • Magic Land of Toys (2006, non-fiction) ISBN 978-0-86565-176-0
  • The Penguin Book of Summer Stories (2007, anthology) ISBN 978-0-14-305629-4
  • The City of Words (CBC Massey Lecture) (2007, non-fiction) ISBN 0-88784-763-3
  • Homer's The Iliad and The Odyssey: A Biography (2007, history and criticism) ISBN 978-0-8021-4382-2
  • Todos los hombres son mentirosos (All Men Are Liars, 2008, novel) ISBN 978-84-9867-340-1
  • A Reader on Reading Yale University Press, 2010 ISBN 978-0-300-15982-0

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    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)

    “I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
    —Anton Pavlovich Chekhov (1860–1904)

    “Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
    —William Butler Yeats (1865–1939)