Albert J. Guerard - Publications - Criticism

Criticism

  • Robert Bridges: A Study of Traditionalism in Poetry. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1942.
  • Joseph Conrad. New York, New Directions, 1947.
  • Thomas Hardy: The Novels and Stories. Cambridge, Massachusetts, Harvard University Press, 1949; London, Oxford University Press, 1950; revised edition, 1964.
  • André Gide. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1951; revised edition, 1969.
  • Conrad the Novelist. Cambridge, Massachusetts, Harvard University Press, 1958; London, Oxford University Press, 1959.
  • The Triumph of the Novel: Dickens, Dostoevsky, Faulkner. NewYork, Oxford University Press, 1976; London, Oxford University Press, 1977.
  • The Touch of Time: Myth, Memory, and the Self. Stanford, California, Stanford Alumni Association, 1980.
  • Editor, Prosateurs Américains de XXe Siécle. Paris, Laffont, 1947.
  • Editor, The Return of the Native, by Thomas Hardy. New York, HoltRinehart, 1961.
  • Editor, Hardy: A Collection of Critical Essays. Englewood Cliffs, New Jersey, Prentice Hall, 1963.
  • Editor, Perspective on the Novel, special issue of Daedalus (Boston), Spring 1963.
  • Co-Editor, The Personal Voice: A Contemporary Prose Reader. Philadelphia, Lippincott, 1964.
  • Editor, Stories of the Double. Philadelphia, Lippincott, 1967.
  • Editor, Mirror and Mirage. Stanford, California, Stanford AlumniAssociation, 1980.

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Famous quotes containing the word criticism:

    “Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
    —Henry David Thoreau (1817–1862)

    “However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
    —Henry David Thoreau (1817–1862)

    “The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
    —Susan Sontag (b. 1933)