Albert J. Guerard - Publications - Criticism

Criticism

  • Robert Bridges: A Study of Traditionalism in Poetry. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1942.
  • Joseph Conrad. New York, New Directions, 1947.
  • Thomas Hardy: The Novels and Stories. Cambridge, Massachusetts, Harvard University Press, 1949; London, Oxford University Press, 1950; revised edition, 1964.
  • André Gide. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1951; revised edition, 1969.
  • Conrad the Novelist. Cambridge, Massachusetts, Harvard University Press, 1958; London, Oxford University Press, 1959.
  • The Triumph of the Novel: Dickens, Dostoevsky, Faulkner. NewYork, Oxford University Press, 1976; London, Oxford University Press, 1977.
  • The Touch of Time: Myth, Memory, and the Self. Stanford, California, Stanford Alumni Association, 1980.
  • Editor, Prosateurs Américains de XXe Siécle. Paris, Laffont, 1947.
  • Editor, The Return of the Native, by Thomas Hardy. New York, HoltRinehart, 1961.
  • Editor, Hardy: A Collection of Critical Essays. Englewood Cliffs, New Jersey, Prentice Hall, 1963.
  • Editor, Perspective on the Novel, special issue of Daedalus (Boston), Spring 1963.
  • Co-Editor, The Personal Voice: A Contemporary Prose Reader. Philadelphia, Lippincott, 1964.
  • Editor, Stories of the Double. Philadelphia, Lippincott, 1967.
  • Editor, Mirror and Mirage. Stanford, California, Stanford AlumniAssociation, 1980.

Read more about this topic:  Albert J. Guerard, Publications

Famous quotes containing the word criticism:

    “Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
    —Leslie Fiedler (b. 1917)

    “However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
    —Henry David Thoreau (1817–1862)

    “As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
    —John Vorster (1915–1983)