Albert J. Guerard - Publications - Criticism

Criticism

  • Robert Bridges: A Study of Traditionalism in Poetry. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1942.
  • Joseph Conrad. New York, New Directions, 1947.
  • Thomas Hardy: The Novels and Stories. Cambridge, Massachusetts, Harvard University Press, 1949; London, Oxford University Press, 1950; revised edition, 1964.
  • André Gide. Cambridge, Massachusetts, Harvard University Press, and London, Oxford University Press, 1951; revised edition, 1969.
  • Conrad the Novelist. Cambridge, Massachusetts, Harvard University Press, 1958; London, Oxford University Press, 1959.
  • The Triumph of the Novel: Dickens, Dostoevsky, Faulkner. NewYork, Oxford University Press, 1976; London, Oxford University Press, 1977.
  • The Touch of Time: Myth, Memory, and the Self. Stanford, California, Stanford Alumni Association, 1980.
  • Editor, Prosateurs Américains de XXe Siécle. Paris, Laffont, 1947.
  • Editor, The Return of the Native, by Thomas Hardy. New York, HoltRinehart, 1961.
  • Editor, Hardy: A Collection of Critical Essays. Englewood Cliffs, New Jersey, Prentice Hall, 1963.
  • Editor, Perspective on the Novel, special issue of Daedalus (Boston), Spring 1963.
  • Co-Editor, The Personal Voice: A Contemporary Prose Reader. Philadelphia, Lippincott, 1964.
  • Editor, Stories of the Double. Philadelphia, Lippincott, 1967.
  • Editor, Mirror and Mirage. Stanford, California, Stanford AlumniAssociation, 1980.

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Famous quotes containing the word criticism:

    Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.
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    However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.
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    As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.
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