Drama
Apart from being an important figure in Welsh poetic circles Cynan was also influential in the field of Welsh drama. He wrote two full length plays: Hywel Harris won the premier Eisteddfod prize for drama in 1931. He was commissioned to write an exemplary play for the National Eisteddfod in 1957 – his offering Absolom Fy Mab was accepted to great critical acclaim in Welsh dramatic circles as were his translations of English Language plays John Masefield's Good Friday and Norman Nicholson's The Old Man of the Mountain.
In 1931 he was appointed reader of Welsh plays on behalf of the Lord Chamberlain, a post which he held till the abolition of censorship in 1968. He was seen as a liberal censor, having allowed James Kitchener Davies' drama Cwm Glo, a play full of "filth and depravation" to be performed after it won the drama prize in the 1934 Eisteddfod.
Cynan made regular appearances on Welsh language radio and TV programmes, and he was the subject of the first Colour TV programme broadcast in the Welsh Language Llanc o Lŷn.
Read more about this topic: Albert Evans-Jones
Famous quotes containing the word drama:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writer’s contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.”
—Eric Bentley (b. 1916)
“Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.”
—Henri-Frédéric Amiel (1821–1881)