Musical Background and Releases
Aira was chosen as the winner of Mega Trance 2007 from 6,325 applicants. She released her debut single, "Colorful Tokyo Sounds No. 9", on August 8 of the same year. A song from the single was selected as the official theme for the Transformers Café, based on the Transformers film, in Roppongi. Mitsuki performed at an MTV-sponsored event for the film on July 25.
Her first album, Copy, was released on September 3, 2008. It was released in two different versions: a 12-track album and a 16-track album. The albums differ in that track 8 on the 12 regular edition album is the original version of "High Bash", while the Yakenohara version appears on the extended edition, and the songs "Star Fruits Surf Rider", "Rock'n Roll Is Dead", and "Romantic Rope" are included in the extended version. Additionally, those who purchased the album through Tower Records also received an exclusive track, "Yakenohara Megamix", while those who bought the album through HMV received the track "L0ne1yBoy L0ne1yGirl" as a bonus track.
Track 1 of the album, titled "Galaxy Boy", was used as the ending song to Aichi Television's programme Bonita!Bonita!! It was also used to promote the Dream car club of Tamoei Yakushiji. The album reached a peak daily position of number 31 on the Oricon chart, and a peak weekly position of number 48 and sold 3,163 copies. Mitsuki's first major single was written as a tribute to China for the 2008 Olympics and released on March 5, 2008. Her second major (and fourth overall) single, "Robot Honey", was released on October 29, 2008 and followed by "Valentine Step" and "Sayonara Technopolis" in February 2009. She released her seventh single, "Barbie Barbie" on May 20, and a low-key compilation CD, "Aira's Science CD" on June 17, 2009.
Aira released her second studio album, titled Plastic, on July 22, 2009 and her third album, ??? on November 17, 2010.
Read more about this topic: Aira Mitsuki
Famous quotes containing the words musical, background and/or releases:
“Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.”
—Ralph Waldo Emerson (1803–1882)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)