Origins
The rhyme was first printed by James Hogg in Jacobite Reliques in 1820, as a Jacobite song about the Battle of Sheriffmuir (1715) which includes the words:
Ken you how a Whig can fight,
Aikendrum, Aikendrum?
Ken you how a Whig can fight, Aikendrum?
He can fight the hero bright,
With swift heels and armour light,
And his wind of heav'nly might, Aikendrum, Aikendrum!
Is not Rowley in the right, Aikendrum?
Sir Walter Scott in his novel The Antiquary (1816) refers to Aiken Drum in a story told by an old beggar about the origins of what has been perceived by the protagonist as a Roman fort. The beggar tells him that it was actually built by him and others for "auld Aiken Drum's bridal" and that one of the masons cut the shape of a ladle into the stone as a joke on the bridegroom. The reference suggests that the rhyme, and particularly the chorus, was well enough known in the early nineteenth century for the joke to be understood.
Aiken Drum is also the name given by William Nicholson to the fairy the "Brounie o Blednoch" (1825) in the poem of that name. Although this has led some folklorists to speculate that the song may derive from older fairy legends, there is no evidence of the name being used for a brownie before this point, and it may have been borrowed from the existing song.
Read more about this topic: Aiken Drum
Famous quotes containing the word origins:
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)