Story
The story centres around Hitoshi Kōbe, a guy who is neither academically gifted nor good at sports, so he does not do very well at school.
Hitoshi has only one thing going for him - his ability to program computers. In fact, he is so good at this he has created programs that can rewrite themselves - Artificial Intelligence, in other words. So far he has created thirty of these programs, and the latest - whom he names Saati ( The Japanese pronunciation of the English word "Thirty" )- is so advanced that conversation with her is indistinguishable from a normal girl and, thus, would easily pass the Turing test.
However, there is still the barrier of Hitoshi being in the physical world and Saati being a program, until one day a freak lightning strike materializes her into the real world, where she becomes the girlfriend of Hitoshi.
The series then follows their now not so ordinary lives, as well as other A.I.s of Hitoshi's creation. The basic plotline is derivative of the Kōsuke Fujishima manga Oh My Goddess!, with the AI constructs being analogous to the goddess characters of the earlier manga. The setting also bears similarities to the John Hughes film Weird Science. Both feature male protagonists creating their ideal girlfriends on computers and both girls are brought into the real world via lightning, bearing somewhat superhuman powers. Despite these obvious similarities however, Akamatsu claims not to have seen the film prior to creating the series.
Read more about this topic: A.I. Love You
Famous quotes containing the word story:
“The face of the water, in time, became a wonderful book—a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“A story has been thought through to the end when it has taken the worst possible turn.”
—Friedrich Dürrenmatt (1921–1990)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)